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. 2006 April;2006(4)
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Josef Leopold Auenbrugger: the inventor of percussion

Who more appropriate to discover percussion in the human form than a Viennese-trained physician? Josef Leopold Auenbrugger invented the technique of percussing the patient’s chest in 1754, just two years before Wolfgang Amadeus Mozart’s birth in 1756.

The son of an innkeeper, Auenbrugger is said to have tapped wine barrels in his father’s cellar as a boy to find out how full they were. Little would one expect that this percussive background would lead to a medical breakthrough. Later in life he became a composer and wrote an opera for Austrian Empress Marie Theresa.

Auenbrugger described the lung as sounding like a drum with a heavy cloth over it. When the lung is full, stated Auenbrugger, such as in the case of pneumonia, the sound is similar to tapping the fleshy part of the thigh. Auenbrugger practiced these techniques on cadavers. He injected fluid into the pleural cavity and created a science around when and where efforts should be made for its removal.

These observations were published in a small book, now considered a medical classic. Called Inventum Novum , the full English title is A New Discovery that Enables the Physician from the Percussion of the Human Thorax to Detect the Diseases Hidden Within the Chest (and hence, the shorter, more common title).

To some the physical exam is defunct, supplanted by scans and lab. Two hundred and fifty years later, the technique of percussion is still a cornerstone of the art of the physical exam.

What is a great story—albeit true—without rejection and shame? His ideas rejected and forced to resign his commission in his current post, Auenbrugger showed understanding of human nature in the following statement: “I have not been unconscious of the dangers I must encounter, since it has always been the fate of those who have illustrated or improved the arts and sciences by their discovery, to be beset by envy, malice, hatred, detraction, and calumny.”

Auenbrugger’s work did eventually rise out of obscurity largely through the exposure of Jean Nicolas Corvisart, Napoleon’s favorite physician. Corvisart, who also influenced René-Théophile-Hyacinthe Laennec, inventor of the stethoscope, led a school of medicine that hoped to correlate the clinical exam to pathologic findings. Corvisart taught the method of percussion to his students and in 1808 translated and published the book with annotations—just a year before Auenbrugger’s death. Ironically, Auenbrugger may not have known about this translation that spread rapidly among the medical community.

To some the physical exam is defunct, supplanted by scans and lab. Two hundred and fifty years later, the technique of percussion is still a cornerstone of the art of the physical exam. Next time you percuss an ascitic abdomen or tap out the level of a pleural effusion, think back to Leopold Auenbrugger, his Inventum Novum, and the birth of the modern physical exam. TH

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Virginia Tech Percussion Ensemble (VTP), directed by Dr. Annie Stevens, is a university ensemble open to music majors and non-majors by auditionin the fall semester. VTP performs a wide body of repertoire from classical transcriptions and chamber works to traditional West African drumming music and large percussion orchestra pieces. The ensemble features several guest artists throughout the year and students have the opportunity to participate in masterclasses with visiting guests artists on several occasions.

Audition information: All non-majors must show fluency on both snare drum and mallets to be considered for the ensemble. The audition for non-majors consists of the audition etudes (see the link below), as well as sight reading on both snare drum and mallets. 4-mallet technique on mallets is not a requirement for acceptance into the ensemble. There is an expectation that ensemble members will meet at least once a week for rehearsal outside of designated class time. Non-majors interested in auditioning should email Dr. Annie Stevens atajs@vt.eduto set up an audition date. The audition will occur the week before fall semester classes, or during the first week of classes. There will be no auditions for acceptance into the ensemble for the spring semester.Auditions only occur in the fall.

Audition information:

Audition Etudes: Mitchell Peters: Intermediate Snare Drum Studies, #28 Morris Goldenberg: Modern School for Xylophone, Marimba, and Vibraphone, Etude V View the 2017-2018 Audition Packet here .

Audition Etudes:

Fall 2017 Percussion Ensemble Concert: Saturday, November 4 Lyric Theatre Blacksburg, VA LEIT YFF Girls Children/Child/Kids Ballroom Tango Salsa Latin Dance Shoes Low Heel ShoesBlack7 QsORVPkj
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View a recently released dynamic music video of the Virginia Tech Percussion Ensemble , directed by Annie Stevens, of Shared Space by Ivan Trevino. The video features the ensemble performing in prominent locales around Virginia Tech and Blacksburg including the War Memorial, Horticulture Garden, Henderson Lawn, VT Recording Studio, and Heritage Park. As a collaborative project between students and faculty, Annie Stevens is the director and producer of the audio recording, Ryan Vazquez (junior, music technology andApplied Economic Management: International Trade and Development) is the recording engineer, and Steven Arnold (sophomore music education and music performance) is the video editor. The performers include: Steven Arnold (sophomore, music education and music performance), JD Grizzle (senior, music education and music performance), Chris Hochella (junior, music performance), Jesse Hughes (sophomore, music education and music performance), Joshua Morrison (sophomore, music education and music technology), Laura Moniuszko (sophomore, music education and music performance), Denver Nuckolls (sophomore, music performance and music technology).

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